Jaideepmehrotra

CARTOGRAFICTION

2022

2 April – 1 May 2022
India Art Fair, New Delhi | India

CARTOGRAFICTION

2022

2 April – 1 May 2022
India Art Fair, New Delhi | India

These paintings return to us the world as visualised by our childlike selves: mutable, sparking with potential, fluid in form.

Disclaimer: Images shown here may vary when viewed physically as metallic surfaces do not reproduce well in print or digital medium.

4 ft x 2 ft
Acrylic, Oil, Metal, Mixed Media on Canvas
2022

4 ft x 2 ft
Acrylic, Oil, Metal, Mixed Media on Canvas
2022

4 ft x 2 ft
Acrylic, Oil, Metal, Mixed Media on Canvas
2022

4 ft x 4 ft
Acrylic, Oil & Mixed Media on Canvas
2022

4 ft x 4 ft
Acrylic, Oil & Mixed Media on Canvas
2022

4 ft x 6 ft
Acrylic, Oil & Mixed Media On Canvas
2022

4 ft x 6 ft
Acrylic, Oil & Mixed Media on Canvas
2022

2 ft x 2 ft
Acrylic, Oil & Mixed Media on Canvas
2022

THE ARTIST STATEMENT

Cartography: the art of reading maps and the science involved in navigating routes and ways.

While to the naked eye, maps may seem like nothing more than curvy lines leading the viewer from one destination to the other, every map has a tale to tell. To abstract reality and condense it in the form of a map is not based on accuracy. In a way, the fundamental component in generating a map to depict the environment is a dynamic process, the process of map abstraction. As our limited viewpoint of the world that surrounds us, maps influence our spatial behaviour and spatial preferences and shape how we view the environment and our social fabric.

sing steel on a fabric canvas is an interplay of Yin-Yang, the soft and hard, the spontaneous and the structured. Randomised pieces of a puzzle that we call our home.

In a viewing of the works here, I-Land is man’s unique imprint on the planet, a virtual island inhabited by ideas of survival and evolution along with a reference to Cristos ephemeral island wrapped in plastic. D’Rift symbolises the melting ice and tactile planetary shift. Cloudy Bay and Bend in the Ganga denotes our wish to be immersed in the beauty of the planet we occupy, while Rufescent depicts the world’s obsession with moving to interstellar spaces and the occupation of the ‘red planet.’

‘There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.’‘

PABLO PICASSO

Creating a work of art that will be physically different for every person looking at it?

There are no “laws of beauty” involved. One is prompted to think about the nature of art, of looking at art, of humanity, of our times, of ourselves. I think we owe every work of art as much thoughtful and empathic attention as we can afford to give it. Hasty dismissal deprives us of aesthetic experiences.
The immense reflective surface are like minds, in the sense that the mind observes the universe, and models it. We approach art not for worship, but for catharsis; not to see something else, but to see ourselves.
“Jaideep Mehrotra has wowed audiences the world over with his canvases. But there comes along a moment in every artist’s life when he wishes to venture into something completely unexplored — and so it is with Mehrotra, who is showcasing his abstract creations for the very first time in Reflections In Mercury.”
VERVE INDIA
VIEW ALL PRESS FOR THIS COLLECTION

“Jaideep Mehrotra has wowed audiences the world over with his canvases. But there comes along a moment in every artist’s life when he wishes to venture into something completely unexplored — and so it is with Mehrotra, who is showcasing his abstract creations for the very first time in Reflections In Mercury.”

VERVE INDIA
VIEW ALL PRESS FOR THIS COLLECTION
Collection 03

2007 – 2011

In this series, the paintings are social commentaries, juxtaposed or contrasted with city skylines, offering a piquant look of life in the metropolises. This confluence of people fires our imagination, feeds us with its spoils and simultaneously subjects us to its disconcerting side.

REFLECTIONS IN MERCURY

2007 – 2011

This series employs a new technique developed by the artist and is a culmination of over seven years of research and experimentation.Composed of a combination of metal, paint and various mixed media on canvas, the elements come together to forge intriguing, highly reflective works that tantalise viewers with an uncanny luminosity.

2007 – 2011

This series employs a new technique developed by the artist and is a culmination of over seven years of research and experimentation.Composed of a combination of metal, paint and various mixed media on canvas, the elements come together to forge intriguing, highly reflective works that tantalise viewers with an uncanny luminosity.

2007 – 2011

Enter a virtual new world, in which distinctions of reality and fantasy will cease to matter, as more of us will tend to spend time in the virtual environments or cyberspace.